However, she’s also painted with some stereotypically feminine characteristics as well: wearing stiletto heels baking apple pies and hanging out with her cat. She works with father figure Moody in a profession that requires her to beat up, abduct, and kill men who are shocked by her physical strength and fighting prowess, and in those ways The Protégé does imbue Anna with the “strong female character” qualities commonly found in action films. Interactions with Moody and Rembrandt invigorate the film, but the genre clichés packed into The Protégé ultimately overshadow her.ĭoes it pass the Bechdel Test ? YES, but barelyĪnna is a highly effective assassin who has compartmentalized all aspects of her life. But Richard Wenk’s script lets her down with gimmicky exchanges with other characters, most of them men. Anna’s cool, unimpressed affect works as backstory for a character who has seen everything and done everything on the job. Maggie Q gracefully flips, punches, shoots, and sprints, as director Martin Campbell allows her ample space to work. Judged by its action scenes alone, The Protégé is an enjoyable time. Her questions lead Anna back to Vietnam, where she faces her past. When Anna investigates, she’s caught in a web of conflicting interests and dangerous men, including the flirtatious Rembrandt (Michael Keaton).
A man died, his son disappeared, and Moody has questions about what happened-and perhaps regrets. But while celebrating his 70th birthday, Moody brings up an old job that went wrong.
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Jackson), and they become a family and a professional partnership based in London.
But the familiarity of this storyline bogs down the actress’ good work.Īfter a traumatic childhood left her an orphan, Anna was adopted and raised by assassin Moody (Samuel L. Maggie Q ( Nikita, Divergent, Designated Survivor) can play that character in her sleep, and as protagonist Anna in The Protégé, she brings the film to life. Eventually, a job forces her to confront her past and she compromises her professionalism.
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The lady-assassin movie has a certain formula, and The Protégé hits every element of it: A young woman without a family falls into a life of violence. The content and methodology remain 100% independent and in line with Mediaversity's non-commissioned reviews. Note: This review was commissioned by Lionsgate.
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